PACIFIC MAMBO ORCHESTRA – Tickets – Yoshi’s Oakland – Oakland, CA – January 4th, 2019

PACIFIC MAMBO ORCHESTRA

Featuring trumpeter Jon Faddis

PACIFIC MAMBO ORCHESTRA

Fri 1.4

Doors: 9:45 pm / Show: 10:00 pm

Yoshi's Oakland

Oakland, CA

$29.00

feat. trumpeter Jon Faddis

Pacific Mambo Orchestra
Pacific Mambo Orchestra
2014 GRAMMY® Winner the Pacific Mambo Orchestra (a.k.a. the PMO) is a 20 piece, San Francisco based musical group leading the rebirth of the Latin Big band Sound. The PMO uses the traditions of the classic mambo‐craze orchestras of the 1950s to deliver their original music and clever, modern arrangements of hit songs. Currently the only fully active Latin Big Band on the West Coast of the United States, this elite group of the Bay Area's finest musicians performs in both English and Spanish (French and Portuguese selections are also available).

The PMO is directed by Mexican‐born pianist Christian Tumalan and German‐born trumpeter Steffen Kuehn, each one a highly skilled and experienced artist in their own right. The band's instrumentation consists of four trumpets, four trombones, five saxophones, piano, bass, timbales, congas, bongos and two lead singers, the lovely Ms. Alexa Morales and Armando Cordoba. Powered by a sensational percussion section featuring Venezuelan timbalero Omar Ledezma Jr., Mexican conguero Javier Cabanillas and Peruvian bongo expert Braulio Barrera, the band also showcases savvy improvisers forged in the region’s most celebrated Latin bands.

PMO’s sizzling, self‐titled, 2014 Best Tropical Latin Album GRAMMY® award winning debut record honors the sounds of the great Latin Big Bands of the 1940s through 1960s, including Machito, Tito Puente and Tito Rodriguez, while infusing them with an intoxicating new energy. Richly textured arrangements flow through the entire production, with exquisite playing by ace musicians. With a repertoire of mostly original scores, the selections move in a frenetic pace, pulsing with the sounds, rhythms and beats that only a true Big Band is capable of producing.

Their GRAMMY® award crowned the PMO's first national tour of Performing Art Centers in the US. The tour featured Tito Puente Jr. and was received with great acclaim by fans and critics alike. Their musical numbers spanned many Latin genres ‐‐ Salsa, Mambo, Latin Jazz, Cha Cha Cha ‐‐ along with a fusion of sounds that incorporated more modern genres (R&B, Hip Hop). The show also pays tribute to the pioneers of the classic mambo orchestras, all while paving the way to a bold new sound designed to reach the next generation of Big Band listeners.

Also a great honor to the PMO was to be voted as the BEST BAND of the “2014 Best of the Bay” in the San Francisco Guardian Reader's Poll. This Best of the Bay insert coincided with the last copy ever of the 48 year old newspaper and the issue has become a collectors item.

About the Pacific Mambo Orchestra's GRAMMY® Award winning, self‐titled debut album:

This sizzling debut may be attributed to the hard work, passion and determination of visionary bandleaders Tumalan and Kuehn, who founded the group three years ago with the aspiration of growing PMO into the most active Latin Big Band in the nation. Once they achieved their goal, they embarked on a six‐month grassroots campaign to finance their first recording, seeking support from aficionados via local clubs and the internet. And the fans came through.

The resulting compilation is the first project of its kind to emerge from the San Francisco Latin scene and a unique, welcome contribution to the music world. Tumalan and Kuehn not only produced the album, but also performed, composed, and wrote the music and lyrics for many of the songs. One of their biggest accomplishments was gathering the impressive roster of international, award‐winning talent that appears on the album. Together, band members and contributors bring forth decades of collective experience playing with a variety of musical greats, from Dizzy Gillespie, Carlos Santana, Herbie Hancock and Tito Puente, to Art Garfunkel, Blood Sweat and Tears, Jerry Garcia and Mariah Carey. The resulting tracks showcase fresh songwriting, inspired arrangements, clever improvisations, and superlative vocals.

About Jon Faddis
Jon Faddis is a complete and consummate musician - conductor, composer, and educator. Marked by both intense integrity and humor, Faddis earned accolades from his close friend and mentor John Birks “Dizzy” Gillespie, who declared of Faddis, “He's the best ever, including me!” As a trumpeter, Faddis possesses a virtually unparalleled range and full command of his instrument, making the practically impossible seem effortless.

Born in 1953, Faddis began playing at age seven, inspired by an appearance by Louis Armstrong on the Ed Sullivan Show. Bill Catalano (an alumnus of the Stan Kenton band) hipped Faddis to the music of Dizzy Gillespie. Meeting Dizzy Gillespie at the Monterey Jazz Festival and then sitting in with him at the Jazz Workshop in San Francisco proved to be a pivotal beginning of a unique friendship between Gillespie and Faddis, one that spanned almost three decades. Two days before his 18th birthday, Faddis joined Lionel Hampton's band as a featured soloist, moving from Oakland, CA to New York. Shortly after arriving in Manhattan, Faddis was invited to sit in with the Thad Jones/Mel Lewis Orchestra at the Village Vanguard; he rapidly became lead trumpeter for the band, touring the world. He soon formed his own quartet, and began directing orchestras, including the Grammy-winning United Nation Orchestra, the Dizzy Gillespie 70th Birthday Big Band, the Dizzy Gillespie Alumni All-Stars, the Chicago Jazz Ensemble (2004-2010), the Carnegie Hall Centennial Big Band, the Carnegie Hall Jazz Band (1992-2002), and the Jon Faddis Jazz Orchestra of New York (2003-present). Faddis has also served as guest conductor and featured guest with the Lincoln Center Jazz Orchestra and the San Francisco Symphony Orchestra.

Faddis’ distinctive trumpet appears on hundreds of records and numerous soundtracks for film and television. Faddis' original compositions include the Jazz opera Lulu Noire (1997) (named a “Top 10” pick by USA Today); other Faddis compositions may be heard on his Grammy-nominated Remembrances (Chesky 1998), Hornucopia (Epic 1991), Into the Faddisphere (Epic 1989), and TERANGA (Koch 2006).
Venue Information:
Yoshi's Oakland
510 Embarcadero West
Oakland, CA, 94607
http://www.yoshis.com/