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Yoshi's San Francisco

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Dining Reservations

Box Office:
Open every day at Noon

Restaurant:
Closed on Mondays unless otherwise noted.

Tuesday - Wednesday
5:30pm to 9:00pm

Thursday
5:30pm to 10:00pm

Friday & Saturday
5:30pm-10:30pm

Sunday
5:00pm-9:00pm

Bar/Lounge:
Open at 5pm Tue-Sun
Happy Hour 5-7pm daily!


Yoshi's San Francisco
1330 Fillmore Street
SF, CA 94115
Phone: 415.655.5600




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Jazz Club
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NGUYEN LE feat. Charged Particles with special guest Vanessa Vo

October 31, 2012


Few musicians embody the word "fusion" more than Parisian-born guitarist Nguyên Lê. For the past 25 years he's been mining a combination of fusion by the more conventional definition—the infusion of rock energy into the jazz sphere—with fusion in a broader sense, the seamless integration of music from cultures around the world. (All About Jazz)

Wednesday, Oct 31

  • 8pm $18


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Born in Paris from Vietnamese parents, he began to play drums at the age of 15, then took up  guitar & electric bass. After graduating in Visual Arts, he majored in Philosophy, writing a thesis on Exoticism. Then he devoted to music, creating "ULTRAMARINE" (1983), a multi-ethnic band whose CD "DÉ"  has been considered "1989's best World Music album"  Philippe Conrath,  Libération.

Nguyên LE is a self-taught musician, with a wide scope of interests:  Rock & Funk (Jim Cuomo, Madagascar tour 84), Jazz standards & contemporary Jazz (bass player with Marc Ducret, guitar player with Eric Barret), Improvised Music (Yves Robert),  Singers (Ray Charles),Contemporary Music  (André  Almuro, Tona Scherchen, Marius Constant, Mauricio Kagel), Ethnic Music: African & Caribbean with  ULTRAMARINE, Algerian with Safy Boutella & Cheb Mami, Indian with Kakoli, Turkish with Kudsi Erguner, Vietnamese  with  his "Dan Bau" (traditional one-stringed instrument) teacher Truong Tang.

Nguyen Le's website

 

VANESS VO:

  Van-Anh devotes her life-long passion and mastery of the dan tranh zither to the creation of distinctive music blended with a cultural essence that can only come from this unique Vietnamese instrument. Among her accomplishments are the 2009 Emmy® Award-winning soundtrack for the documentary “Bolinao 52”, which she co-composed and recorded, and the soundtrack for the Sundance best documentary and 2003 Academy Awards® nominee “Daughter from Danang”. Van-Anh also co-composed and recorded for the recent documentary “A Village Called Versailles”, winner of the New Orleans Film Festival Audience Award.
     Van-Anh began studying dan tranh from the age of four, and graduated with distinction from and taught at the Vietnam Academy of Music. In 1995, Van-Anh won championship in the Vietnam National Dan Tranh Competition along with the first prize for best solo performance of modern folk music. She has since performed in more than fourteen countries and recorded in many broadcast programs inside and outside of Vietnam. Her first CD “Twelve Months, Four Seasons” was released in 2002.
     In addition to dan tranh, Van-Anh also performs as soloist on the monochord (bau), the 36-string hammered dulcimer (dan tam thap luc), the bamboo xylophone (dan t’rung), the k’longput, traditional drums (trong), and Chinese guzheng.

Vanessa Vo's website

 

Charged Particles:

The most exciting and creative music being made today crosses stylistic boundaries and blends multiple traditions to create vital new sounds.  Charged Particles features three of the country's virtuosos doing just that for in the electric jazz arena.  Murray Low is a keyboard wizard whose dazzling Latin-jazz technique and imaginative improvisational skills boggle the mind.  Jason Muscat is an inventive and sophisticated electric bassist.  Along with fiery drummer Jon Krosnick, these players are making some of the most electrifying jazz in the country today.The trio's repertoire blends jazz styles with elements from Latin music, classical music, funk, and more.  The group's original compositions are mixtures of elaborate orchestration and opportunities for creative improvised solos.  And they bring a similar approach to playing arrangements of tunes by other jazz artists and traditional jazz standards, including favorites by Cole Porter, Duke Ellington, Richard Rogers, and other composers of America's most popular songs from decades ago, each played with a new twist.