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Jill Sobule belongs to a rare breed of artists. Her work is at once deeply personal and socially conscious, seriously funny and derisively tragic. Over five albums and a decade of recording, the Denver-born songwriter/ guitarist/singer has tackled such topics as the death penalty, anorexia, shoplifting, reproduction, the French resistance movement, adolescence, and the Christian right. Did we mention love? Love found, love lost, love wished for and love taken away.
While her songs cover a huge amount of ground, they all have benefit greatly from Jill's subtle intelligence and skillful light-handedness. No sloganeering flag-and-fist waving here, but rather story songs about human beings, real and imagined, which allow us to step back from the issue, be it personal or social, and relate to it as we would a close friend.
To see Jill live and in concert is a rare treat. It is on stage that she is most comfortable, most powerful, and where the delicacy and range of her work can be best appreciated. She entertains, amuses, provokes, and more often then not, takes her audiences on an emotional roller coaster, from comedy to pathos in a few bars of music.
Jill began playing guitar when she joined the Junior High School band. She never learned to read music, though, and faked her way through rehearsals and performances by playing by ear. As she began writing songs, it was very clear to Jill this was becoming more than a teenage hobby. Music was serious stuff. She played in a variety of funk and rock bands in Colorado, and eventually made her first, Todd Rundgren-produced, album for MCA, Things Here Are Different.
But success did not knock on her door until three years later, when Atlantic Records released her MTV staple and national top 20 hit, I Kissed A Girl. "That song was a double-edged sword for me," Jill Says. "It was perceived as a novelty hit, but on the other hand it was the first song with an overtly gay topic to be aired on Top 40 radio. I am quite proud of that." The self-titled album also yielded another hit song, Supermodel, included in the Clueless soundtrack.
The song also jumpstarted her live music career in a big way, and since then she's had the honor to induct Neil Diamond in the Songwriter's Hall of Fame, to share the stage with the likes of Neil Young (at his yearly Bridge School benefit concerts), fellow activists Billy Bragg & Steve Earle, and Waren Zevon. Quite the serious guitar player, she even toured the world as lead guitarist in Lloyd Cole's band a few years back.
Since then, she has made four more critically acclaimed albums, Happy Town, Pink Pearl, Underdog Victorious, and 2009's California Years, which Jill released on her own record label, Pinko Records, after collecting over $85,000 from fans who funded the project.
A veritable gypsy, Jill divides her time between a busy touring schedule and a variety of other projects. She has played the role of political troubadour for NPR stations across the country and for Air America Radio. She also served as songwriter/composer for the hit Nickelodeon network show Unfabulous during that show's three-season run. She composed the music for the off-Broadway show Prozak and the Platypus and co-starred in the Eric Schaeffer film Mind the Gap.
In the words of New York Times pop music critic Jon Pareles, "Jill Sobule can claim her place among the stellar New York singer-songwriters of the last decade. Topical, funny and more than a little poignant... grown-up music for an adolescent age."
Halle Petro is a brooklyn based songwriter and vocalist, who executive produced and self-release her debut record, Lucky You (February 2011). The dynamic result is eleven original tracks which mix and match an unprecedented sound of jazz and country, blues, rock, pop and soul, pulled together by Petro's powerful vocal presence.
“These songs are my heart, my hands, my insecurities, and my rage,” says Petro. “A lot of them were about boys, and I called the album Lucky You in homage to the ones who ever had the chance to break my heart.” Ms. Petro wrote lyrics and music, then further developed music and sound with collaborator and pianist Karen Dryer. With influence drawn from artists such as Otis Redding, Patty Griffin, and Stevie Nicks to name a few, it was sitting in the front seat of her Dad’s station wagon and listening to Motown as a little girl that widely shaped her music.
After leaving a career on wall street to persue her full time career, Ms
Petro has toured New England, Vermont and the Midwest, and in November was featured as part of the Powerhouse Emerging Artist Series at Boston's famed Liberty Hotel. She can be seen with her band, The Jilt, at her Manhattan residency at Flute Lounge, and has played New York clubs such as The Living Room and City Winery, as well as Hotel Cafe in Los Angeles, where she returns again February 3.
Cleveland NPR Radio show "Around Noon" with host Dee Perry, says the songs on the CD are "some really lovely music ... it catches the ear right from the first few notes and continues all the way through." The Boston Phoenix says "her self-released debut album ... shows an artist with a unique musical innocence and lack of snobbery, one not afraid to mix her fun, curious spirit with Broadway's trademark crispness." The NY Daily News hails her as a "group that draws from blues, folk, rock and jazz influences for a richly unique sound."
Ms. Petro is thrilled to play the Yoshi's stage during her west coast tour, with her guitarist Michael Gomez from Hazmat Modine.