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Rachelle Ferrell is a recent arrival on the contemporary jazz scene, but her visibility on the pop / urban contemporary scene has boosted her audience's interest in her jazz recordings.

Ferrell's debut, 'First Instrument', was released in 1990 in Japan only. Recorded with bassist Tyrone Brown, pianist Eddie Green and drummer Doug Nally, an all-star cast of accompanists also leave their mark on her record. They include trumpeter Terrence Blanchard, pianists Gil Goldstein and Michel Petrucciani, bassists Kenny Davis and Stanley Clarke, tenor saxophonist Wayne Shorter and keyboardist Pete Levin.

Her unique take on now-standards like Sam Cooke's 'You Send Me,' Cole Porter's 'What Is This Thing Called Love,' and Rodgers & Hart's 'My Funny Valentine,' captured the hearts and souls of the Japanese jazz-buying public. In 1995, Blue Note / Capitol released her Japanese debut for U.S. audiences, and the response was similarly positive.

Her 1992 self-titled U.S. debut, a more urban pop/contemporary album, was released on Capitol Records. Ferrell was signed to a unique two-label contract, recording pop and urban contemporary for Capitol Records and jazz music for Blue Note Records.

For four consecutive years in the early '90's, Ferrell put in festival stopping performances at the Montreaux Jazz Festival. Although Ferrell has captured the jazz public's attention as a vocalist, she continues to compose and write songs on piano and violin.

Ferrell's work ethic has paid off, and Gillespie's predictions about her becoming a 'major force' in the jazz industry came true. Her prolific songwriting abilities and ability to accompany herself on piano seem only to further her natural talent as a vocalist. 'Some people sing songs like they wear clothing, they put it on and take it off,' she explains in the biographical notes accompanying 'First Instrument'.

'But when one performs four sets a night, six nights a week, that experience affords you the opportunity to present the song from the inside out, to express its essence. In this way, a singer expresses the song in the spirit in which it was written, the songwriter then translates emotion into words, the singer's job is to translate the words back into emotion.'

Rachelle Ferrell has made her mark not as a straight ahead jazz singer and pianist, but as a crossover artist who's equally at home with urban contemporary pop, gospel, classical music and jazz.

http://www.rachelleferrell.com/

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