BEGIN:VCALENDAR VERSION:2.0 PRODID:-//www.yoshis.com/oakland//NONSGML kigkonsult.se iCalcreator 2.10.5// X-WR-CALNAME:www.yoshis.com/oakland X-WR-CALDESC:www.yoshis.com/oakland X-WR-TIMEZONE:US/Pacific BEGIN:VEVENT UID:20130522T144353CEST-9249GN7U8v@www.yoshis.com/oakland DTSTAMP:20130522T120553Z DESCRIPTION:From the moment he made his debut in 1985 with the gold-selling Gra mmy®\; nominated album Magic Touch\, guitar virtuoso Stanley Jordan has pro ven himself as a forward thinking innov ator. With his nimbly executed "\;t ouch"\; or "\;tap"\; technique\, he ushered a dazzling and spellbinding new sound into the world of progressive instrumental music. Over the course of five major recordings and several smaller independent releases\, St anley has explored earthly and astral m usical trailways. Because of the extrao rdinary originality of his approach to guitar\, Stanley has been looked upon f irst and foremost as a musical original\, orbiting in an artistic universe without predecessor or immediate successor. With his groundbreaking new album\, State Of Nature (his first mainstream re lease in over a decade\, and his debut for the Mack Avenue label)\, Stanley Jo rdan makes another bold step by using his music to aurally illustrate profoundly unifying truths about man's relationship to nature and humankind.\n\n It was a convergence of experiences that led Stanley down this thematic path. "\;Part of the reason that I made th is album were revelations I discovered in my journey to try to become a better person\,"\; he states. "\;The other reason is that I discovered some disturbing information about environmental issues such as global warming\, the deterioration of our planet and man's role in it. When I was a kid\, my family lived in what is now known as Silicon Valley\, which used to be a vast s wath of open land with farms and orchar ds. People talked a lot back then about taking care of the environment\, but f ast forward to today and it's still a p roblem. It made me wonder how humans ca n know about things like global warming and still not do anything. What is it about humans that makes us so intelligent and yet so unwise?"\;\n \n This thought process led to the underlying inspiration for the song structures and themes of State Of Nature. Recording at Tarpan Studios in Northern California allowed Stanley to take time off for retreats to beautiful Santa Cruz and surrounding areas\, where he immersed himself in nature awareness courses. The resulting music finds Stanley weaving classical\, jazz and rock textures to g et across his messages of atonement and harmony. Beyond his signature touch te chnique on guitar\, Stanley utilizes ot her revolutionary techniques\, such as playing two guitars at once\, playing guitar and piano simultaneously\, and incorporating sounds of nature that he recorded himself. Stanley also features the cello work of 19 year-old Meta Weiss\, a classically trained musician w hom he once tutored as a child in jazz and improvisation. He also includes thr ee short pieces called "\;Mind Game s"\; - mini canons\, palindromes and interludes (inspired by those that Earth Wind &\; Fire slipped into classic albums such as That's the Way of the World) that gave him an opportunit y to include some musical ideas on the album without changing its focus.\n\n S tanley states\, "\;The two main ide as that consumed my thoughts were these : Human beings need to get back to nature\, which extends to the environment as well as our bodies - the part of nature we carry around with us\, and we need to evolve intellectually\, spiritually and politically. Neither will wor k without the other. I believe that whe n we become more educated\, we'll be be tter problem solvers."\;\n\nState O f Nature also includes a return to pian o. That Stanley is also a pianist may b e surprising\, but it was his first ins trument as a child because there was on e in the house. "\;My sister says I was messing around with it as young as 3. I composed my first song at 5 and I started lessons around age 7. I didn't start on guitar until I was 11. Piano was a natural instrument for me. I find that when I sit at the piano\, I m ake music. But I don't have the same tr aining as I have on guitar. So that's a lways been intimidating. I realized tha t for my own personal development\, I h ad to get out of my comfort zone and overcome my fear of performing on piano. There are aspects of my music that live in the piano. If I want those elements\, I have to go there to get them.& quot\;\n\n To describe Stanley Jordan i s to think of him as a world-class musician who marches in all aspects of his life to the beat of his own drum. He is a progressive thinker with goals and ideas that stretch far beyond record deals\, fortune or fame.\n\nEach proje ct that followed his classic Magic Touc h (Stanley was also nominated for a Bes t New Artist Grammy that year) has take n him into thrilling virgin territory. Those projects included a solo guitar album titled Standards Volume 1 (1986) where Stanley made the bold statement that songs by the likes of Stevie Wonder and the Beatles deserved recognitio n as standards as much as chestnuts lik e "\;Georgia On My Mind."\; He followed that with the band album Flyin g Home (1988) and an especially edgy al bum titled Cornucopia (1990\, a Grammy nominee in the Best Pop Single category for the title track)\, half of which w as straight ahead jazz recorded live and the other half\, multi-dimensional originals recorded in the studio. Still later in 1994\, after a move to Arista Records (then-helmed by pop music maverick Clive Davis)\, he recorded the b racingly eclectic Bolero album\, featur ing covers of Herbie Hancock's "\;C hameleon\,"\; Jimi Hendrix's "\ ;Drifting\,"\; his original "\;Plato's Blues"\; and the CD's centerpiece\, a 17-minute arrangement of Ravel's "\;Bolero"\; broken up into rock\, African\, Latin\, "\;g roove"\; and industrial versions.\n\n Frustrated with the demands of the commercial music industry\, among ot her things\, Jordan went into a self-im posed exile from the rat race in the `9 0s that included a retreat to the mount ains of the Southwest. He re-emerged wi th a new life's direction. "\;Most people - if and when they find their calling - come to see themselves in some sort of service capacity\,"\; he states. "\;Right now I feel a str ong desire to bring my music to the peo ple not just for entertainment\, but al so for inspiration and healing."\; Though he maintains a busy international touring schedule\, his broader interests stretch into the studies of Music Therapy and Sonification. He also owned and operated the Sedona Books and Music Store in Arizona. Before the compl etion of State Of Nature\, he recorded seve ral independent CDs\, including Ragas ( a collaboration with musicians from Ind ia featuring Jay Kishor on sitar) and R elaxing Music for Difficult Situations I\, an audio extension of his Music Therapy interests.\n\n In addition to touring for State Of Nature\, Stanley has s et up an extension of his website that - much like major motion pictures have their own websites - will further explain and illustrate the intensely complex messages he aims to get across with his new album through the use of photos\, video\, essays and more.\n\nThemes duly noted\, nothing can take away the simple beauty this long-awaited collection brings. Stanley ultimately wants his international fan base to enjoy it on whatever level they feel at the moment. This truly shines through in the album's radio-bound closing track &quo t\;Steppin' Out\,"\; a cover of the feel-good 1982 single by British music al maverick Joe Jackson. It features St anley's daughter Julia among the vocalists on a newly penned chorus.\n\nPassionately engaged in his train of thou ght\, Jordan concludes\, "\;If you think about space and how empty it is\, here we are on a planet that is so nur turing to us. We need to get back to th at. Look at the cracks in the sidewalk. The power of life is so strong that a little seedling can crack the concrete and come through. So at the end of 'Steppin' Out' - like the end of a night on the town - we return to nature sounds. The urban and the natural can co-e xist."\; DTSTART:20090925T000000 DTEND:20090927T000000 DURATION:PT3H LOCATION:Oakland SUMMARY:Stanley Jordan END:VEVENT END:VCALENDAR